Happy Cloud Publishing is proud to bring you the screenplay to SIXTEEN TONGUES, annotated by the writer/director. Also included is f/x artist Glenn Hetrick’s effects diary and never-before-seen full-color photographs by Patrick Rochon.
The companion screenplay to the gory, sexy movie from Happy Cloud Pictures, illustrated with over a hundred exclusive full-color stills and behind-the-scenes photos from the production.
The last regular issue of Exploitation Nation brings you new interviews with Sasha Graham (Addicted to Murder), wrestler and actor Nikita Breznikov, a brief history of Asian Horror and Comedy, and a final farewell to Cinema Wasteland. Special thanks to our staff and writers - esp. Jason Lane, Dr. Rhonda Baughman, Mike Haushalter, and, of course, designer Ryan Hose! This is the…
The last regular issue of Exploitation Nation brings you new interviews with Sasha Graham (Addicted to Murder), wrestler and actor Nikita Breznikov, a deep dive into the history of Asian Horror and Comedy, and a final farewell to Cinema Wasteland.
Our landmark 10th Issue! COMEDY IS HARD! Highlights include articles by Carmine Capobianco (Psychos in Love), Michael Legge (Sideshow Entertaiment), interviews with James Lorinz (Frankenhooker), Jason Paul Collum (celebrating an anniversary himself), and Josh Miller/Pat Casey (writers, Sonic the Hedgehog, Golan the Insatiable)
Exploitation Nation #11: CULTURE: CANCLLED! "The Muppets have been Cancelled! Looney Toons and Seuss! Everything's been cancelled!" Calm the heck down. In this issue, we explore what is and what isn't censorship, taking a hard look at the history of America's obsession with self-censorship.
"We're Still Standing!" The pandemic couldn't keep us down! Interviews with SWV's Lisa Petrucci, and filmmakers Tim Ritter and Thomas Edward Seymour, journalist Jason Pancoke, and then a sound-off from all of those who survived COVID and are still going - either strongly or with a mild limp!
Premiere Issue! Welcome to a brand new publication spotlighting the weird, wonderful world of “exploitation films”. With a definition as diverse as the films that fall into that category, the sky is the limit for E.N.
